Tag Archives: ensemble

traveller, standing in rooms {i … ii}

Non-crystal, fog: flight. (First two frag­ments of a later whole.)

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All that is solid melts into air

All fixed, fast-frozen re­la­tions, with their train of an­cient and ven­er­able pre­ju­dices and opin­ions, are swept away, all new-formed ones be­come an­ti­quated be­fore they can os­sify. All that is solid melts into air, all that is holy is pro­faned, and man is at last com­pelled to face with sober senses his real con­di­tions of life, […]

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Mikrokonzert: I Swear I Saw the Sun Falling

For a while now, I have been in­ter­ested in the edges of things: where things start and stop being, where they vanish, where one idea bleeds into an­other. This piece at­tempts to com­bine found sounds and streams of ‘noise’ that we carry with us in the back­ground of our lives  —  ra­dios, pop music, con­ver­sa­tions, re­membered places  —  only […]

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Excavations

Excavations was written in re­sponse to the Manchester Camerata Young Composers’ Project, calling for works in­spired by Henry Purcell’s Fantazias to mark the 350-year an­niversary of his birth. I ar­rived at the music after close study of these works, in par­tic­ular the 4-part Fantazia in A minor (Z. 740). Some of the 17th-Century har­monic and […]

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non vogliono, camminano

ritorno dal nulla [re­turn from noth­ing­ness] danza degli uomini spenti [dance of dead men] come il vento sospinge le foglie secche [like the wind blows dry leaves] non vogliono, cam­minano draws its in­spir­a­tion from a pas­sage in Primo Levi’s Se questo è un uomo [If this is a man], which de­scribes the music and sound­scape of […]

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  • Microbiography

    Chris Swithinbank is a British-Dutch com­poser who works with both acoustic in­stru­ments and elec­tronic sounds. He is cur­rently a stu­dent at Harvard University with Chaya Czernowin.
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  • Hear