Tag Archives: 2009

Para cruzar el sueño

The nature of human per­cep­tion is fas­cin­at­ingly un­clear. That so much of what we ex­per­i­ence we ex­per­i­ence al­most un­know­ingly, taking in the tex­tures of the world without clearly per­ceiving their con­struc­tion from thou­sands of tiny strands is es­sen­tial to the ap­parent in­ef­fability of our sur­round­ings. The heightened am­bi­gu­ities of sleep and its peri­meters in­tro­duce interesting […]

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Three Sky Studies

Chant-cris Notturno/Abschiedslied I Aubade/Abschiedslied II Three Sky Studies, for solo piano, were com­posed over the course of 2009, with ‘Chant-cris’, a vir­tu­osic scat­tering of notes in­spired by bird­song and Elliott Carter’s Caténaires, acting as a kind of short pre­lude to the second and third move­ments, which were written with pi­anist friends in mind. The first […]

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Mikrokonzert: I Swear I Saw the Sun Falling

For a while now, I have been in­ter­ested in the edges of things: where things start and stop being, where they vanish, where one idea bleeds into an­other. This piece at­tempts to com­bine found sounds and streams of ‘noise’ that we carry with us in the back­ground of our lives  —  ra­dios, pop music, con­ver­sa­tions, re­membered places  —  only […]

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Gaza Cantos

There is no such thing as polit­ical music. It is an il­lu­sion to think that notes  –  sounds  –  can teach you how to be­have, be a good cit­izen or con­tribute to so­ciety. Music is an ex­per­i­ence, a cel­eb­ra­tion of our ex­ist­ence, not a lan­guage which can convey meaning. Beauty can be ex­per­i­enced by everyone re­gard­less of polit­ical affiliation, […]

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  • Microbiography

    Chris Swithinbank is a British-Dutch com­poser who works with both acoustic in­stru­ments and elec­tronic sounds. He is cur­rently a stu­dent at Harvard University with Chaya Czernowin.
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  • Hear