Saturday, 1 November 2014
Materials towards a performance for four people. rumour — distant land provides a framework for a performance that is as much visual and dramatic as it is sonic, allowing four performers to present a series of images and actions, all of which touch around but never upon feelings of distance, loss, reminiscence and the mundane.
By Chris
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Posted in Works
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Also tagged 2014
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Wide open, the sweep and curve of gravity draws swerves out of the body. The dust that patterns remote points appears near: veined boulders, icebergs calved into air, sheets of dirty purple glass cornering into one another. A finger traces through the mist and repeats, trying to settle at a place of no dimensions full […]
By Chris
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Posted in Works
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Also tagged 2014, cello, flute
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At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the […]
By Chris
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Posted in Works
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Also tagged 2013, harp, oboe
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Monday, 10 September 2012
This short work is part game piece, part physical performance, part sound. At the heart of it lies the question: what happens when we stop breathing? The exhaustion of a physical limit — the breath, the bow — is deployed as a mechanism controlling what we hear and how long we hear it for. The original text is in French, […]
By Chris
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Posted in Works
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Also tagged 2012, violin, voice
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But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. The other disciples therefore said unto him, We have seen the Lord. But he said unto them, Except I shall see in his hands the print of the nails, and put my finger into the print of the nails, and […]