Happy New Year!

Here’s an an­ec­dote to herald in 2011:

At one time Karlheinz [Stockhausen] and I would talk and ex­change ideas. You know the story about the talk about singing? Well, he was writing a song for Cathy Berberian, who I later also wrote for, and he said, “if you were writing for a singer, would you write music, or would you write for the singer?” And I said, “I would write for the singer”, and he said, “well that’s the dif­fer­ence between us, be­cause I would write music.” So then he wrote this song for Cathy, and he asked her to whistle. And she can’t whistle. So that’s the dif­fer­ence between us. Hmhmhmhm!’

— John Cage

FROM: Steve Sweeney Turner and John Cage, ‘John Cage’s Practical Utopias: John Cage in Conversation with Steve Sweeney Turner’, The Musical Times, cxxxi/1771 (September, 1990), p. 469.

This entry was written by Chris, posted on Saturday, 1 January 2011 at 12:00 am, filed under Odds & Ends and tagged , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post. Both comments and trackbacks are currently closed.
  • Microbiography

    Chris Swithinbank is a British-Dutch com­poser who works with both acoustic in­stru­ments and elec­tronic sounds. He is cur­rently a stu­dent at Harvard University with Chaya Czernowin.
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