Author Archives: Chris

Excavations @ Vaganza New Music Day

My piece for nine strings, Excavations, drawing in­spir­a­tion from 350 year-old Henry Purcell’s fantazias that was work­shopped by the Manchester Camerata in October of last year and has since been heavily re­vised, was given a bril­liant first per­form­ance at Vaganza New Music Day Deserts and Canyons: John McCabe at 70 under the baton of Robert Guy. […]

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Excavations

Excavations was written in re­sponse to the Manchester Camerata Young Composers’ Project, calling for works in­spired by Henry Purcell’s Fantazias to mark the 350-year an­niversary of his birth. I ar­rived at the music after close study of these works, in par­tic­ular the 4-part Fantazia in A minor (Z. 740). Some of the 17th-Century har­monic and […]

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»Der Komponist hat nichts zu sagen, er hat was zu schaffen«

Helmut Lachenmann in Stuttgart, 13.02.2009 I was vis­iting Stuttgart, ho­metown of com­poser Helmut Lachenmann, to hear a con­cert of his music presented in the Stadtkirche of the suburb Bad-Canstatt. It seemed like a good omen when, at the head of the menu in the tra­di­tional Schwäbische Stube (I sup­pose this the local equi­valent of an […]

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Intensifications

Partly an ex­per­i­ment in tex­tural and nota­tional pos­sib­il­ities, Intensifications, for 2 vi­olas and cello, is in three short move­ments. Over the course of the work we move through a spec­trum of pitched to un­pitched sounds and back again, pushing the in­stru­ments’ sonic pos­sib­il­ities to the edges of aud­ib­ility and con­ven­tional tech­nique. Each move­ment is governed […]

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Detached Thought #100 @ Interdisciplinary Byron Conference

Trio Atem (flute, voice and cello) gave a fant­astic premiere of Detached Thought #100  —  a set­ting of a brief journal entry by Lord Byron  —  as part of the University of Manchester’s Interdisciplinary Byron Conference, 4  –  5 December 2008. The lunch­time con­cert in­cluded various set­tings of Byron’s writ­ings by stu­dents at the University, bringing to an end two days […]

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  • Microbiography

    Chris Swithinbank is a British-Dutch com­poser who works with both acoustic in­stru­ments and elec­tronic sounds. He is cur­rently a stu­dent at Harvard University with Chaya Czernowin.
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